![]() ![]() The first three of those landmark films are collected in this box set.Īlthough Teshigahara, as director, was responsible for organizing and unifying these collaborations, it is otherwise difficult to distinguish absolutely the separate contributions of each of the three artists. ![]() Their four films- Pitfall (1962), Woman in the Dunes (1964), The Face of Another (1966), and Man Without a Map (1968)-set Japan center stage in the intellectual discourse of a world seeking answers to questions about identity, human existence, and the alienation of modern man in urban society. ![]() Through work intended principally for Japanese audiences, the three struck a chord that harmonized unexpectedly, but perfectly, with the sensibilities and existentialist instincts of the international avant-garde. In the mid-1960s, these three artists came together in a series of extraordinary film collaborations that shocked their more conventional countrymen and instantly won enthusiastic response abroad. Individually, they transformed every area of artistic endeavor they turned to, and they are among the small handful of Japanese writers and artists who have had a significant, lasting impact on international culture. Each in his own right was an artist of peculiar genius, each resisting easy classification in conventional categories: Teshigahara as filmmaker, designer, flower artist, potter, calligrapher Takemitsu as composer, poet, musical theorist, philosopher and Abe as novelist, playwright, director, theater innovator. He was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1977.The names Hiroshi Teshigahara, Kobo Abe, and Toru Takemitsu loom large among Japanese intellectuals of the late twentieth century. In 1973, he founded an acting studio in Tokyo, where he trained performers and directed plays. In the 1960s, he collaborated with Japanese director Hiroshi Teshigahara in the film adaptations of The Pitfall, Woman in the Dunes, The Face of Another and The Ruined Map. Though he did much work as an avant-garde novelist and playwright, it was not until the publication of The Woman in the Dunes in 1962 that he won widespread international acclaim. He was first published as a poet in 1947 with Mumei shishu ("Poems of an unknown poet") and as a novelist the following year with Owarishi michi no shirube ni ("The Road Sign at the End of the Street"), which established his reputation. He never practised however, giving it up to join a literary group that aimed to apply surrealist techniques to Marxist ideology.Ībe has been often compared to Franz Kafka and Alberto Moravia for his surreal, often nightmarish explorations of individuals in contemporary society and his modernist sensibilities. He was the son of a doctor and studied medicine at Tokyo University. Though he did muc Kōbō Abe (安部 公房 Abe Kōbō), pseudonym of Kimifusa Abe, was a Japanese writer, playwright, photographer, and inventor. Abe has been often compared to Franz Kafka and Alberto Moravia for his surreal, often nightmarish explorations of individuals in contemporary society and his modernist sensibilities. He never practised however, giving it up to join a literary group that aimed to apply surrealist techniques to Marxist ideology. Kōbō Abe (安部 公房 Abe Kōbō), pseudonym of Kimifusa Abe, was a Japanese writer, playwright, photographer, and inventor.
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